Milo Garner reviews Pawel Pawlikowski’s Cannes-winning romance. If Ida was once considered the announcement of a new voice in the tradition of grimly austere European …
‘Cold War’ Review

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Milo Garner reviews Pawel Pawlikowski’s Cannes-winning romance. If Ida was once considered the announcement of a new voice in the tradition of grimly austere European …
Bori Bernat reviews the latest feature on Marvel’s smallest superhero. One of 2015’s most unexpected feel-good films was Ant-Man. Featuring a hero capable of shrinking …
Srishti Chakraborty reviews Pixar’s much anticipated sequel to a childhood favourite. While I might not remember the first time I ever watched Pixar’s The Incredibles, I …
Milo Garner critiques the franchise spin-off. Solo: A Star Wars Story is the exact film so many feared would come out of Disney’s Lucasfilm buyout. An …
Milo Garner reviews Schrader’s drama thriller. Paul Schrader has always been a director influenced by the high arts of cinema, though a cursory browse of …
Nick Mastrini reviews the documentary revealing the fascinating career of Kubrick’s right-hand-man. Tony Zierra’s Filmworker is a documentary that celebrates the hidden craftspeople of filmmaking …
Liam Donovan takes a look at Andrew Haigh’s coming of age drama. Lean on Pete, the latest from Weekend and 45 Years director Andrew Haigh, …
Raphael Duhamel reviews John Krasinski’s well-received supernatural horror. “IT’S SOUND!” screams a newspaper headline, shown in the first act of A Quiet Place, and serving …
Milo Garner revisits Terrence Malick’s 20-year-old war epic. The opening shot of The Thin Red Line (1998) features a crocodile dipping into water and submerging itself. …
Pihla Pekkarinen and Emma Davis review 2017 Grand Prix-awarded French drama. 120 BPM (Beats Per Minute) draws on the highly personal experiences of writer/director Robin …