London East Asia Film Festival 2023 returns to London with a diverse programme from East and Southeast Asia, including international and UK premieres. Sarah Goy …
LEAFF 2023: ‘Unbowed (2011)’ Review
film review
LEAFF 2023: ‘Green Night’ Review
London East Asia Film Festival 2023 returns to London with a diverse programme from East and Southeast Asia, including international and UK premieres. Chris Zhang …
LEAFF 2023: ‘The Boys’ Review
London East Asia Film Festival 2023 returns to London with a diverse programme from East and Southeast Asia, including international and UK premieres. Rebekah Chia …
LEAFF 2023: ‘Concrete Utopia’ Review
London East Asia Film Festival 2023 returns to London with a diverse programme from East and Southeast Asia, including international and UK premieres. Angelina Lim …
LEAFF 2023: ‘Vital Signs’ Review
London East Asia Film Festival 2023 returns to London with a diverse programme from East and Southeast Asia, including international and UK premieres. Euan Toh …
Barbie (2023) Review
Co-Editor-in-Chief, Sophiya Sian, reviews Greta Gerwig’s Barbie and the phenomenon that was Barbenheimer exactly one month after the films’ infamous release. Exactly a month has …
Oppenheimer (2023) Review
Co- Editor-in-Chief Zheyuan Tony Yang reviews Christopher Nolan’s Oppenheimer, an epic thriller that delves into the life and mind of the “father of the atomic …
Cannes 2023: ‘May December’ Review
Elena Xiang reviews Todd Haynes’s May December, a dark comedy that explores notions of truth and performance in the age of social media and reality TV.
‘Knock at the Cabin’ (2023) Review
Aadesh Gupta reviews M. Night Shyamalan’s newest apocalyptic psychological horror film about a family taken hostage in a remote cabin. One of the greatest agonies …
Raindance 2022: ‘Oldboy’ Review
The FilmSoc Journal is back for the 30th edition of the Raindance Film Festival, the largest independent film festival in the UK. Aadesh Gupta reviews …