The FilmSoc Journal is back for the 73rd edition of Berlinale, with critic Aryan Tauqeer delivering a look at the hits and misses of the …
Berlinale 2023: ‘BlackBerry’ Review
comedy
‘Everything Everywhere All At Once’ (2022) Review
Co-editor-in-chief, Madeline, reviews Everything Everywhere All At Once, box-office giant of 2022, and fan-favourite at this year’s Oscars. Everything Everywhere All At Once, living up …
London Film Festival 2022: ‘Fast and Feel Love’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 66th edition of the city’s largest film festival, delivering a look …
Cannes Film Festival 2022: ‘Triangle of Sadness’
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
Cannes Film Festival 2022: Coupez!
The FilmSoc Journal is back for the 75th edition of the largest film festival in France, delivering a look at the hits and misses of …
‘Ticket to Paradise’ (2022) – Review
Madeline Choi reviews the newest rom-com tropes following flick that will make you laugh and space out to ‘exotic’ lands. Another classic feel-good formulaic rom-com, …
‘Don’t Look Up’ (2021) Review: Dissecting the Comet
Sungleen Moon reviews Netflix’s star-studded drama film on environmental awareness. We hurtle into the opening of Don’t Look Up (2021) where edgy-Millenial PhD candidate Jennifer …
UK Jewish Film Festival 2021: ‘The Unword’ Review
Daniel Jacobson reviews the story of a Jewish high school student driven to attack two of his Muslim classmates. The Unword is the newest, surprisingly …
LEAFF 2021: ‘Zokki’ Review
LEAFF 2021 celebrates its sixth year with a programme of thirty films from celebrated and debut filmmakers. Championing East Asian cinema, LEAFF aims to bring …
BFI London Film Festival: ‘Benedetta’ Review
BFI’s London Film Festival is in town! The FilmSoc Blog is back for the 65th edition of the city’s largest film festival, delivering a look …