James Carlstrand reviews Craig Gillespie’s big screen adaptation of 2021s viral GameStop story. Dumb Money will undoubtedly receive much comparison to The Big Short, after all both …
Dumb Money Review

The home of film at UCL.

James Carlstrand reviews Craig Gillespie’s big screen adaptation of 2021s viral GameStop story. Dumb Money will undoubtedly receive much comparison to The Big Short, after all both …

James Carlstrand summarises a lively and insightful workshop with The Telegraph’s film critic Tim Robey On a cold Thursday evening back in November the Film …

Mayra Nassef, FilmSoc Journal’s International Film Festival Rotterdam correspondent, interviews Helena Stefánsdottir, Icelandic director of Bon Appetit (2011) and her new feature Natatorium (2024). “Natatorium” …

In a sunlit corner of Wonderville Raindance headquarters, clad in signature sunglasses sat Elliot Grove, the visionary founder of Raindance Film Festival. Alexia Mihaila from …

Aryan Tauqeer discusses the position of the melodrama in the contemporary cinema landscape, the political history of the genre in Old Hollywood and how the …

Will Palmer reviews Scala!!!, a documentary exploring the heyday of the infamous Scala cinema, and how its eclectic programming broke boundaries and shaped future creatives

Alexia Mihaila and Aryan Tauqeer from the UCL Film & TV Society Journal caught up with Rowan Woods, a key programmer at the BFI London …

Mint Chinese Film Festival 2024, taking place from February 1 to 4, is one of the most influential film festivals for Chinese cinema, casting attention …

James Carlstrand reviews Cord Jefferson’s Oscar-nominated satirical feature, American Fiction, measuring up its playful attack at the flawed publishing industry. Spoiler Alert : American Fiction’s …

Following the recent streaming release of Daniel Kaluuya’s directiorial debut, The Kitchen, Jamie Carlstrand shares his visit to last year’s London Film Festival where the …