Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …
Interview: ‘The Stimming Pool’ (LFF 2024)

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Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …
Anya Somwaiya reviews Sorayos Prapapan’s comic portrait of Thai culture and the doctrines of education. Prapapan, in his pilled zip-up and wrinkled tie-dye tee at …
The Festival of the Moving Image (FOMI) is set to captivate audiences once again this year. Ahead of the 2024 festival’s launch on May 20th, …
Aryan Khawaja reviews Luca Guadagnino’s latest film Challengers, a decade-spanning melodrama set in the world of pro tennis that revolves around the relationship between youth …
Now the sand has settled on Denis Villeneuve’s second instalment in the hallucinatory sci-fi saga, Jamie Carlstrand writes about why he thinks the film joins …
Riley was screened at this year’s BFI Flare Festival to sold out audiences and Jamie Carlstrand got the opportunity to sit down with its director …
The FilmSoc Journal is back for the 74th edition of the Berlinale, with critic Elena Xiang delivering a look at the hits and misses of …
Shaza Hafez reviews “Un Amor”, a melancholic portrait of psychosexual angst
Shaza Hafez explores this satirical dark comedy about the great lengths we go to in our self-centred quest to gain attention
James Carlstrand reflects on last year’s indie hit as the film garners nominations during this ongoing awards season. There is a moment in Past Lives where our …