Our festival correspondent Carys Manjdadria-Jenkins considers RaMell Ross’ Nickel Boys (2024) and the fleshing-out effect of film. Since we first put celluloid to screen, assembly …
Nickel Boys (2024)

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Our festival correspondent Carys Manjdadria-Jenkins considers RaMell Ross’ Nickel Boys (2024) and the fleshing-out effect of film. Since we first put celluloid to screen, assembly …

Caleb Tan reviews Thai comedy drama How to Make Millions Before Grandma Dies, a tear-jerking box-office sensation that has warmed the cockles of many hearts …

Rarely does opinion not benefit from the weight of a little time to test its strength, to see whether it holds or bends. The first …

In A Nutshell: A stunning exploration of life and the search for connection against the backdrop of a developing country. Aftertaste: Tastes like, or rather …

Nutshell: A chic polished departure. Aftertaste: A refreshing, ice-cold glass of blood orange juiceāits initial sweetness bursting with the vitality of life, followed by a …

Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …

Anya Somwaiya reviews Sorayos Prapapan’s comic portrait of Thai culture and the doctrines of education. Prapapan, in his pilled zip-up and wrinkled tie-dye tee at …

The Festival of the Moving Image (FOMI) is set to captivate audiences once again this year. Ahead of the 2024 festival’s launch on May 20th, …

Aryan Khawaja reviews Luca Guadagnino’s latest film Challengers, a decade-spanning melodrama set in the world of pro tennis that revolves around the relationship between youth …

Now the sand has settled on Denis Villeneuve’s second instalment in the hallucinatory sci-fi saga, Jamie Carlstrand writes about why he thinks the film joins …