Euan Toh takes stock of the Stoker narrative remake, weighing it up against past versions to see if this year’s take on the vampire can …
Nosferatu (2024) : Return of the Frightfully Familiar

The home of film at UCL.
Euan Toh takes stock of the Stoker narrative remake, weighing it up against past versions to see if this year’s take on the vampire can …
Carys Manjdadria-Jenkins analyses the effect of Amanda Rice’s documentary on analogue media and animal extinction, The Flesh of Language. The body of analogue media and …
Sothysen Tuyor reconsiders Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) fifty years after its release and three years after being voted …
Edward Lahner looks back on Herbert J Biberman’s Salt of the Earth, telling the remarkable tale of its production and reception history from the McCarthy …
Our festival correspondent Carys Manjdadria-Jenkins considers RaMell Ross’ Nickel Boys (2024) and the fleshing-out effect of film. Since we first put celluloid to screen, assembly …
Caleb Tan reviews Thai comedy drama How to Make Millions Before Grandma Dies, a tear-jerking box-office sensation that has warmed the cockles of many hearts …