Kerem Uzdiyen reviews Martin Scorsese’s long-awaited gangster epic. This review contains no spoilers. Did Martin Scorsese follow up on his recent “real cinema” remarks by …
‘The Irishman’ Review
November 2019
Visual poetry in The Double Life of Veronique
Sofía Korous Vázquez explores the exquisite visuals of a Kieślowski masterpiece. This past week FilmSoc screened Krzysztof Kieślowski’s The Double Life of Veronique (1991), a …