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UCL Film & TV Society Journal

UCL Film & TV Society Journal

The home of film at UCL.

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Festivals Film Reviews

Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival

Essays

La Haine (1995): A Commentary on Systemic State Violence and its Consequences 

Film Reviews

“Love You, Partner”: On Love and the World of Zootopia 2

Films Interviews

Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

Films Interviews

Neeraj Ghaywan and the Importance of Telling Underrepresented Stories (Homebound at TIFF)

Updated on 13 March 202113 March 2021Misc. Features

‘William Shakespeare’s Romeo + Juliet’ at 25

Isabel Milford discusses how her favourite film still holds audiences captive on its 25th anniversary. In line with the Catholicism of the 1996 film William …

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Updated on 13 March 202112 March 2021Film Reviews

Berlinale 2021: ‘A Short Vacation’ (Jong Chak Yeok) Review

Editor-in-chief Tomi Haffety reviews a Korean debut about friendship and identity. Featured in the Generation KPlus category, debut filmmakers Kwon Min-pro and Seo Hansol are …

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Updated on 11 March 202111 March 2021Film Reviews

Berlinale 2021: ‘Memory Box’ Review

Anna Ainio reviews a self-aware film about memory and medium. Before they presented Memory Box at the 2021 Berlin Film Festival, I already knew the …

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Updated on 11 March 202110 March 2021Film Reviews

Berlinale 2021: ‘Language Lessons’ Review

Luigi Barraza Cárdenas considers this heartfelt drama, which screened in the Berlin Special category. In a collective effort from the film industry to cope with …

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Updated on 10 March 202110 March 2021Podcast

Classic Classics Ep. 4: Silence of the Lambs (UCL FilmSoc Podcast)

What films would still cause crowds to flock to Leicester Square, despite being made many years ago? Maria and Luigi embark on a deep dive …

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Updated on 18 March 202110 March 2021Film Reviews

Berlinale 2021: ‘Natural Light’ (Természetes fény) Review

Anna Ainio reviews this drama set in World War II that tells the story of a Hungarian farmer working for the Soviet army. Floating on …

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Updated on 9 March 20219 March 2021Film Reviews

Berlinale 2021: ‘Introduction’ (인트로덕션) Review

Editor-in-chief Tomi Haffety considers one of her favourite directors’ latest meditative drama. Why would anyone want to watch women talk about the differences between formal …

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Updated on 8 March 20218 March 2021Film Reviews

Berlinale 2021: ‘Petite Maman’ Review

Editor-in-chief Pihla Pekkarinen admires Céline Sciamma’s confident direction in her latest understated feature. Céline Sciamma exploded into the mainstream in 2019 with her thoughtful, touching …

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Updated on 7 March 20217 March 2021Film Reviews

Berlinale 2021: ‘I’m Your Man’ (Ich bin dein Mensch) Review

Editor-in-chief Tomi Haffety reviews a Berlinale award winner about the complexities of AI relationships. After Maria Schrader’s miniseries Unorthodox, released during the UK lockdown of …

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6 March 20216 March 2021Film Reviews

Berlinale 2021: ‘Brother’s Keeper’ (Okul Tıraşı) Review

Bryn Chiappe explores the Darwinian environment of boarding school portrayed in this intricate Turkish drama. The entirety of Brother’s Keeper takes place at an isolated …

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Recent Posts

  • Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
  • La Haine (1995): A Commentary on Systemic State Violence and its Consequences 
  • “Love You, Partner”: On Love and the World of Zootopia 2
  • Challenging Narratives in South Asian Films (Permanent Guest at TIFF)

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