Carys Manjdadria-Jenkins analyses the effect of Amanda Rice’s documentary on analogue media and animal extinction, The Flesh of Language. The body of analogue media and …
The Flesh of Language (2024)
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Carys Manjdadria-Jenkins analyses the effect of Amanda Rice’s documentary on analogue media and animal extinction, The Flesh of Language. The body of analogue media and …
Sothysen Tuyor reconsiders Chantal Akerman’s Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975) fifty years after its release and three years after being voted …
Our festival correspondent Carys Manjdadria-Jenkins considers RaMell Ross’ Nickel Boys (2024) and the fleshing-out effect of film. Since we first put celluloid to screen, assembly …
Caleb Tan reviews Thai comedy drama How to Make Millions Before Grandma Dies, a tear-jerking box-office sensation that has warmed the cockles of many hearts …
Rarely does opinion not benefit from the weight of a little time to test its strength, to see whether it holds or bends. The first …
In A Nutshell: A stunning exploration of life and the search for connection against the backdrop of a developing country. Aftertaste: Tastes like, or rather …
Nutshell: A chic polished departure. Aftertaste: A refreshing, ice-cold glass of blood orange juiceāits initial sweetness bursting with the vitality of life, followed by a …
Storytelling often finds itself on that straight and narrow path which begins with a beginning and ends with an end. The Stimming Pool (2024), however, …
Anya Somwaiya reviews Sorayos Prapapan’s comic portrait of Thai culture and the doctrines of education. Prapapan, in his pilled zip-up and wrinkled tie-dye tee at …
The Festival of the Moving Image (FOMI) is set to captivate audiences once again this year. Ahead of the 2024 festival’s launch on May 20th, …