*Please note that this article contains spoilers for Marty Supreme When I think about Marty Supreme, my mind keeps going back to a quote by …
Marty Supreme: The Reality of Dreaming Big
Film Reviews
Sentimental Value: A Character Study Through Art
When we watch a film, we are introduced to a new world, slowly getting to know the characters, places, and past events that shape the …
Yorgos Lanthimos and the Greek Weird Wave
Humble Beginnings Yorgos Lanthimos is the most famous Greek director today (probably of all time), and one of the most famous in the world in …
Who Is My Master and How Have I Come to Be? Universe25 (2025) & A Spontaneous Sunday At The Armenian Film Festival
Last month, I was methodically flicking through my emails, my online post, when I found a request to review British-Armenian director Richard Melkonian’s debut feature …
“Love You, Partner”: On Love and the World of Zootopia 2
Bunny cop, sly fox, mouse boss, the Lemming Brothers’ bank… I’ve always been deeply obsessed with the world of Zootopia. Two years ago, Shanghai Disneyland …
Should Films Offer Solutions?: Eddington and its Tireless Warnings
Spoiler Warning: Read At Your Own Discretion Eddington (Ari Aster, 2025), potentially one of the most polarizing films of the year, offers a bleak, microscopic …
Caught Stealing (2025)
Hank (Austin Butler) is an avid baseball fan, who splits his days between a job at the local bar in New York, and Yvonne (Zoë …
Stop Looking Away: One Battle After Another (2025) Review
Paul Thomas Anderson’s One Battle After Another stands out as an absolute blockbuster of resistance against hatred. It firmly opposes the current wave of franchise-dominated, …
Superman (2025)
In a conversation about James Gunn’s Superman, one could sit and talk plenty about pacing issues and under-rendered CGI all day – take down as …
Pavements (2024): On the World’s Most Important Band
Carys Manjdadria-Jenkins pins down Alex Ross Perry’s Pavements, a documentary/mockumentary/fictional concert film which stands out in the sea of musical biopics as a ‘semiotic experimental’ …