The home of film at UCL.
Last month, I was methodically flicking through my emails, my online post, when I found a request to review British-Armenian director Richard Melkonian’s debut feature …
Bunny cop, sly fox, mouse boss, the Lemming Brothers’ bank… I’ve always been deeply obsessed with the world of Zootopia. Two years ago, Shanghai Disneyland …
Spoiler Warning: Read At Your Own Discretion Eddington (Ari Aster, 2025), potentially one of the most polarizing films of the year, offers a bleak, microscopic …
Hank (Austin Butler) is an avid baseball fan, who splits his days between a job at the local bar in New York, and Yvonne (Zoë …
Paul Thomas Anderson’s One Battle After Another stands out as an absolute blockbuster of resistance against hatred. It firmly opposes the current wave of franchise-dominated, …
In a conversation about James Gunn’s Superman, one could sit and talk plenty about pacing issues and under-rendered CGI all day – take down as …
Carys Manjdadria-Jenkins pins down Alex Ross Perry’s Pavements, a documentary/mockumentary/fictional concert film which stands out in the sea of musical biopics as a ‘semiotic experimental’ …
Carys Manjdadria-Jenkins reviews Witches– Elizabeth Sankey’s essayistic film examination of mothers, witches, and the ways we mishandle both. Women often come in threes. The high …
Euan Toh takes stock of the Stoker narrative remake, weighing it up against past versions to see if this year’s take on the vampire can …
Carys Manjdadria-Jenkins analyses the effect of Amanda Rice’s documentary on analogue media and animal extinction, The Flesh of Language. The body of analogue media and …