The latest edition of Central DOCS Club, in association with UCL Film Society, featured a screening of Walk With Me, a glimpse into the monastic life led and taught by […]
review
2017 in Netflix Original Films
Pihla Pekkarinen reviews a few Netflix titles from the past year. Netflix has recently set a target of releasing eighty new original films in 2018. That’s eight-zero. And 2017 wasn’t […]
‘A Matter of Life and Death’ Retrospective Review
Milo Garner reconsiders #20 on the BFI’s Best 100 British Films list, recently restored and returned to the big screen. By late 1945, Anglo-American relations were particularly frayed. Despite their support […]
2017 in Netflix Shows
With new shows coming out practically every week, each one different from the last, it would be easy to get lost in the whirlwind, give up, and re-watch Friends for the […]
‘Suburbicon’ Review
Liam Donovan reviews George Clooney’s latest. This review originally appeared on the author’s blog. It has been slightly modified. In a year Donald Trump has taken his office as President of […]
Central DOCS Club: ‘Mountain’ Review
The latest screening at Central DOCS Club – where newly-released documentaries are shown at Picturehouse Central in association with FilmSoc – featured Mountain followed by a discussion. Alexandra-Loredana Petrache reviews Jennifer […]
‘Star Wars: The Last Jedi’ Review
Alexandra Petrache reviews the latest instalment of the beloved franchise. WARNING: Potential spoilers December 2015 There has been an awakening – have you felt it? I will finish what you started. […]
‘A Bad Moms Christmas’ Review
Editor Chloe Woods reviews the Bad Moms holiday sequel. I believe I’ve spotted a theme when it comes to sequels for comedy films: add more funny people, but have the […]
‘The Disaster Artist’ Review
Calvin Law takes on the re-imagining of Tommy Wiseau’s ultimate unintentional cult comedy. Tommy Wiseau, subject of Greg Sestero’s autobiography and James Franco’s new film The Disaster Artist, remains as enigmatic […]
‘Good Time’ Review
Milo Garner reviews the Safdie Brothers’ latest film. Like the Safdie Brothers’ last film, Heaven Knows What, Good Time is primarily set on the streets of New York. But opposing the […]