FilmSoc Webseries – 2015/16 Best Project Award Winner – UCLU Arts Ball 2016 Produced and co-written by Thomas Rebour (assisted by James Bloomer). Directed by Lilla Vindics, Laetitia Bouhelier, Andreas […]
Month: June 2017
‘The Beguiled’ Review
Editor Chloe Woods reviews Sofia Coppola’s latest. 1864. Three years into the American Civil War, the remnants of a young ladies’ school in Virginia – five pupils, one teacher and […]
‘The Book Of Henry’ Review
Thom Hethertington reviews Colin Trevorrow’s incredibly divisive family drama… Colin Trevorrow is one smart cookie. There: I said it. That The Book of Henry has been met with the vitriol […]
‘Transformers: The Last Knight’ Review
Picture the scene: high-flying A-list action director Michael Bay sits astride a trebuchet, grinning madly as he hurls flaming balls of pitch, along with anything else he can get his […]
‘Twin Peaks: The Return’ – Part 8 Review
Milo Garner reviews the next chapter of David Lynch’s return to Twin Peaks. WARNING: This review contains spoilers. Despite a very surrealist first few episodes, the Twin Peaks revival has since settled into […]
48-Hour Challenge – Summer 2017
Over the weekend of June 9-11, seven teams of FilmSoc members came together to make seven short films as part of our first major 48-Hour Challenge. The teams had two […]
‘American Gods’ Season 1 Review
Editor Chloe Woods reviews the first season of the highly-anticipated Neil Gaiman adaptation. What are gods, but reflections of ourselves? Bryan Fuller and Michael Green’s 2017 adaptation of American Gods […]
‘Twin Peaks: The Return’ – Part 7 Review
Milo Garner reviews the next chapter of David Lynch’s return to Twin Peaks. WARNING: This review contains spoilers. After a couple of weeks that seemed to tread water a little plot-wise, Twin Peaks: […]
‘Gifted’ Review
Editor Chloe Woods reviews Marc Webb’s latest. I must admit, I was a little wary of this film going in. While I’d heard good things about Gifted, the portrayal of […]
‘Baby Driver’ Review
Milo Garner reviews Edgar Wright’s latest. Baby Driver, Edgar Wright’s first film since the severely underrated At World’s End, opens with a sustained high-pitched note in the soundtrack over the […]