Natalie Wooding reviews Federico Fellini’s iconic film, in celebration of its 60th anniversary. La Dolce Vita is a party. It is a world of glamour and sophistication inhabited by larger […]
retrospective review
The Monster of Misogyny: Analyzing Sexuality in ‘Halloween’ and ‘It Follows’
Sabastian Astley examines the role of sex and misogyny in two classic horrors. The genre of horror has often been inseparable from the now-staple trope of teenagers having sex, with […]
‘The Thin Red Line’ Retrospective Review
Milo Garner revisits Terrence Malick’s 20-year-old war epic. The opening shot of The Thin Red Line (1998) features a crocodile dipping into water and submerging itself. The image connotes nature as […]
‘The Touch’ Retrospective Review
Milo Garner looks back at a lesser-known Bergman through a fresh 2K restoration. The Touch (Beröringen) is, quite surprisingly, one of Ingmar Bergman’s most obscure films. It came out in 1971, […]
‘Scenes from a Marriage’ Review
Milo Garner revisits Ingmar Bergman’s study of a couple’s relationship. A masterwork that gathers many of Bergman’s key concerns in his post-Winter Light filmography, the miniseries Scenes from a Marriage is […]