It’s festival season! The FilmSoc blog is covering the BFI’s 61st London Film Festival (4-15 October), diving into the myriad of films and events on offer to deliver reviews. Calvin […]
film review
London Film Festival: ‘Loveless’ Review
It’s festival season! The FilmSoc blog is covering the BFI’s 61st London Film Festival (4-15 October), diving into the myriad of films and events on offer to deliver reviews. Milo […]
London Film Festival: ‘Ingrid Goes West’ Review
It’s festival season! The FilmSoc blog is covering the BFI’s 61st London Film Festival (4-15 October), diving into the myriad of films and events on offer to deliver reviews. Calvin […]
“Kingsman: The Golden Circle” Review
Editor Chloe Woods takes a look at Matthew Vaughn’s blockbuster sequel. Two facts are indisputable. Matthew Vaughn likes to blow people up. And he can make a bloody good movie. […]
London Film Festival: ‘Bobbi Jene’ Review
It’s festival season! The FilmSoc blog is covering the BFI’s 61st London Film Festival (4-15 October), diving into the myriad of films and events on offer to deliver reviews. Ivan […]
‘mother!’ Review
Milo Garner examines Aronofsky’s complex psychological horror. WARNING: THIS REVIEW CONTAINS SPOILERS. The best to be said of mother! is that it’s ambitious. One of the most madcap and original studio films […]
‘Wind River’ Review
Editor Chloe Woods reviews Taylor Sheridan’s murder mystery thriller. This is a film about pain. Wind River opens to a girl running in a frozen field, under a white moon. […]
‘It’ Review
Milo Garner reviews Andy Muschietti’s adaptation of Stephen King’s novel of the same name. The echoed singing of a nursery rhyme is a troubling opening to any horror film. If one […]
“Rough Night” – Review
Editor Chloe Woods reviews Lucia Aniello’s female-driven comedy. If you look to your left, you will see a crop of spoilers almost ready for harvest. Please keep your hands and […]
‘A Ghost Story’ Review
Milo Garner reviews David Lowery’s vision of grief. From its marketing, A Ghost Story looks like a very typical Sundance film – the 4:3 aspect ratio (with rounded corners), the […]