Milo Garner reviews Werner Herzog’s intimate new film at BFI LFF 2019. Werner Herzog has a penchant for representing the alienated. His great films of the ’70s and ’80s have […]
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Milo Garner reviews Werner Herzog’s intimate new film at BFI LFF 2019. Werner Herzog has a penchant for representing the alienated. His great films of the ’70s and ’80s have […]