Milo Garner reviews the next chapter of David Lynch’s return to Twin Peaks. WARNING: This review contains spoilers. After a couple of weeks that seemed to tread water a little plot-wise, Twin Peaks: […]
Milo Garner
‘Baby Driver’ Review
Milo Garner reviews Edgar Wright’s latest. Baby Driver, Edgar Wright’s first film since the severely underrated At World’s End, opens with a sustained high-pitched note in the soundtrack over the […]
‘Twin Peaks: The Return’ – Part 6 Review
Milo Garner reviews the next chapter of David Lynch’s return to Twin Peaks. WARNING: This review contains spoilers. Part 6 of the Twin Peaks comeback kicks off where 5 ended, with Dougie-Coop (Kyle […]
‘Twin Peaks: The Return’ – Part 5 Review
Milo Garner reviews the next chapter of David Lynch’s return to Twin Peaks. WARNING: This review contains spoilers. Part 5 of Twin Peaks: The Return, the first to be released as a single […]
‘Twin Peaks: The Return’ – Parts 3 & 4 Review
Milo Garner reviews the next two chapters of David Lynch’s return to Twin Peaks. Shortly after its double-bill return, another two parts of the revived Twin Peaks hit our screens. In […]
‘Twin Peaks: The Return’ – Parts 1 & 2 Review
In the first of our weekly reviews of David Lynch’s highly-anticipated return to Twin Peaks, Milo Garner gives a taste of The Return’s first two hours. “I’ll see you again in 25 years” […]
‘A Quiet Passion’ Review
Milo Garner reviews Terence Davies’ Emily Dickinson biopic. Terence Davies is one of Britain’s greatest auteurs, and one whose qualities are too often unsung. He is similar to another Ter[r]ence from […]
‘The Handmaiden’ (Extended Cut) Review
Milo Garner reviews Park Chan-wook’s acclaimed romantic period thriller. Warning: this review is based on the extended cut of the film and contains spoilers. The Handmaiden is a perfect fit for […]
‘Certain Women’ Review
Milo Garner reviews Kelly Reichardt’s LFF 2016 Best Film winner. Certain Women, an adaptation of three short stories from Maile Meloy’s Both Ways Is the Only Way I Want It, is […]
‘The Salesman’ Review
Milo Garner reviews Asghar Farhadi’s Best Foreign Language Film winner at this year’s Oscars. Asghar Farhadi’s seventh film, The Salesman, opens with an uncharacteristic bout of action. The apartment in […]